A short song
out of tune but sincere
sung in parts that won’t harmonize.
Flowers arranged in neat rows
all of them primary colors:
blue, yellow, red.
Black dresses and suits
for contrast
hands folded, resting in laps.
Bowed heads rise
file slowly past
and then leave for home.
The silence
is just what I was expecting.
Sunday, January 6, 2008
God's Good Going Away
I have grown up believing that being close to God, knowing him directly and immediately, was one of the highest, most honorable, and most mature goals I could have. It’s hard for me to remember a time when this idea was not part of my spiritual thinking.
It threw me for a loop, then, when I read Jesus saying things like this: “But I tell you the truth: It is for your good that I am going away. Unless I go away, the Counselor will not come to you; but if I go, I will send him to you.” (John 16:7)
If I’m supposed to grow close to God, then how can his going away possibly be a good thing? Even when there’s no physical contact involved, you still feel closer to someone when you can see them and hear their voice. The second half of the verse tries to offer an explanation, but the logic behind how the visible incarnation of the Son of God being replaced by the Counselor (i.e. the Holy Spirit)–an invisible, inaudible, misty Thing that most people don’t like to even talk about, let alone try to explain–could be a good thing was a proposition that seemed fuzzy to me, at best.
The conclusion seems inescapable: No matter the fringe benefits it brings, Jesus going “there” means that he is not “here” anymore, and how could that possibly be a good thing? It takes a body to hug you, to calm your nerves with its touch, to soothe your fears and lull you to sleep with the sound of its voice, to wipe away your tears and to take on the lurking bullies; can a ghost, even the Holy one, do any of that?
A few chapters earlier–but still part of the same Upper Room speech to the Disciples–John records a statement that feels even more audacious:
“I tell you the truth, anyone who has faith in me will do what I have been doing. He will do even greater things than these, because I am going to the Father.” (John 14:12)
If we have faith in him, not only will we do what he was doing, but we will do even greater things. If anyone other than Jesus himself had said that, I would laugh it off and dismiss it without another thought. It sounds too ridiculous to even consider. But Jesus did say it, and so I find myself forced to wrestle with it.
The explanation for why we will do even greater things, “because I am going to the Father,” seems to link this verse with John 16:7; somehow, God exiting the scene is an immeasurably good development. But how can it be?
According to John, the answer has something to do with the Spirit coming. But like I wrote earlier, I have trouble understanding what’s supposed to happen when the Spirit comes, so I needed to find another way to look at it.
In 2 Corinthians 5:17, Paul writes that being in Christ doesn’t just upgrade us from what we used to be, but actually makes us into a whole new creation. A few verses later, he explains what our job is because of our new creation-ness:
“We are therefore Christ's ambassadors, as though God were making his appeal through us.” (2 Corinthians 5:20)
An ambassador acts as a stand-in, living in a foreign country and serving as the visible representative of the real ruler. Albeit in a delegated capacity, he has the same power and responsibilities as the ruler; to put it another way, he speaks with the king’s voice. And that is the position God has entrusted to us: To be his face and voice, as though we were making his appeal through us. All because Jesus left and sent the Counselor (the only reason we can function in our new position at all) to us.
The pieces start to fall into place. Jesus leaving and the Spirit coming is good because instead of the presence of God being localized in a single person (or a single place, in the Old Testament), God’s presence is dispersed into billions of breathing, walking, talking people. I get to see God because of them. Even more daunting, they’re supposed to see God because of me.
There are any number of ways to apply this idea, but the first that comes to mind for me has to do with how I talk to people. Why would I want to hide anything from you, when your response could be the words of God to me? And when I ignore you or blow you off, what does that communicate about God to you?
I’m still trying to imagine how prayer might fit into this.
------------------------------------------------------------------------------------------------While I don't want to say unequivocally that God doesn't communicate with people directly anymore, it's never happened to me. My attempts to rationalize that formed the beginnings of this note.
It threw me for a loop, then, when I read Jesus saying things like this: “But I tell you the truth: It is for your good that I am going away. Unless I go away, the Counselor will not come to you; but if I go, I will send him to you.” (John 16:7)
If I’m supposed to grow close to God, then how can his going away possibly be a good thing? Even when there’s no physical contact involved, you still feel closer to someone when you can see them and hear their voice. The second half of the verse tries to offer an explanation, but the logic behind how the visible incarnation of the Son of God being replaced by the Counselor (i.e. the Holy Spirit)–an invisible, inaudible, misty Thing that most people don’t like to even talk about, let alone try to explain–could be a good thing was a proposition that seemed fuzzy to me, at best.
The conclusion seems inescapable: No matter the fringe benefits it brings, Jesus going “there” means that he is not “here” anymore, and how could that possibly be a good thing? It takes a body to hug you, to calm your nerves with its touch, to soothe your fears and lull you to sleep with the sound of its voice, to wipe away your tears and to take on the lurking bullies; can a ghost, even the Holy one, do any of that?
A few chapters earlier–but still part of the same Upper Room speech to the Disciples–John records a statement that feels even more audacious:
“I tell you the truth, anyone who has faith in me will do what I have been doing. He will do even greater things than these, because I am going to the Father.” (John 14:12)
If we have faith in him, not only will we do what he was doing, but we will do even greater things. If anyone other than Jesus himself had said that, I would laugh it off and dismiss it without another thought. It sounds too ridiculous to even consider. But Jesus did say it, and so I find myself forced to wrestle with it.
The explanation for why we will do even greater things, “because I am going to the Father,” seems to link this verse with John 16:7; somehow, God exiting the scene is an immeasurably good development. But how can it be?
According to John, the answer has something to do with the Spirit coming. But like I wrote earlier, I have trouble understanding what’s supposed to happen when the Spirit comes, so I needed to find another way to look at it.
In 2 Corinthians 5:17, Paul writes that being in Christ doesn’t just upgrade us from what we used to be, but actually makes us into a whole new creation. A few verses later, he explains what our job is because of our new creation-ness:
“We are therefore Christ's ambassadors, as though God were making his appeal through us.” (2 Corinthians 5:20)
An ambassador acts as a stand-in, living in a foreign country and serving as the visible representative of the real ruler. Albeit in a delegated capacity, he has the same power and responsibilities as the ruler; to put it another way, he speaks with the king’s voice. And that is the position God has entrusted to us: To be his face and voice, as though we were making his appeal through us. All because Jesus left and sent the Counselor (the only reason we can function in our new position at all) to us.
The pieces start to fall into place. Jesus leaving and the Spirit coming is good because instead of the presence of God being localized in a single person (or a single place, in the Old Testament), God’s presence is dispersed into billions of breathing, walking, talking people. I get to see God because of them. Even more daunting, they’re supposed to see God because of me.
There are any number of ways to apply this idea, but the first that comes to mind for me has to do with how I talk to people. Why would I want to hide anything from you, when your response could be the words of God to me? And when I ignore you or blow you off, what does that communicate about God to you?
I’m still trying to imagine how prayer might fit into this.
------------------------------------------------------------------------------------------------While I don't want to say unequivocally that God doesn't communicate with people directly anymore, it's never happened to me. My attempts to rationalize that formed the beginnings of this note.
Thursday, September 13, 2007
The Mirror Suit
The chest-piece was an old hallway mirror–egg-shaped with false gold molding for a border–that he inherited after his parents died. It came to him in a packing crate, mailed from whoever had taken care of their affairs. He knew they had died before the crate arrived, but there was a note stapled to the address label reminding him of their demise nonetheless.
The hall mirror lay on the floor of the spare bedroom, which had never been used, for several months, reflecting only the floor on which it sat. All of the other mirrors in the house–long, narrow ones the approximate shape of floorboards; smaller, roundish ones; rectangular ones small enough to hold in his hand–also eventually came to rest in the spare room. The only reason some of them survived in the other rooms of the house longer than others was that they were in corners or at angles where he rarely noticed them.
He found the final two loose mirrors in the house in the far corner of the attic, behind a stack of comic books he had forgot he possessed. The mirrors were set in the top half of a woman’s cosmetic compact that had belonged to his former girlfriend Madalyn. He caught a glimpse of his eyes in the small spherical reflectors. They blinked back at him and stared for a second before he averted his gaze, trying to preoccupy it with the adventures of superheroes whose powers no longer intrigued him. It was the first time he had seen any part of his face in years. He still touched it occasionally, running his fingers over the curve of his lips, along the stony bridge of his nose, through the bristly forest of his brows, but that offered only a secondhand reconstruction. Even if he managed to keep in mind all the various features of his face, their placement and proportion was entirely up to his imagination. In effect, he could draw his imagined face according to whatever theme he wished to follow. He variously saw himself as beautiful, an ogre, an innocent child, a self-conscious adolescent.
But he could not manipulate or negotiate with the blank stare of the mirrors. His eyes were simply there, uncomfortably fixed points reminding him with indifferent finality who he was and what he looked like. He turned over the compact with the edge of a comic book and approached them cautiously, like a primitive confronting the magic of an elevator or a gun. Once he was satisfied that it would not spontaneously flip over, he picked it up and brought it to the spare bedroom. He laid the compact on top of the dresser that had never been used, leaving it to rest beside the other smaller mirrors he had collected. They were carefully arranged, the larger mirrors on the left giving way to steadily smaller ones as they neared the bedroom window, all of them with their reflective face turned down. There was an ever-narrowing path between the mirrors on the floor from the dresser to the door.
The furnishings of his own bedroom, the one in which he slept and lived most of his life, were only slightly more elaborate than those of the spare room. The same ceiling fan hung in both rooms, and while his room featured a dull tan rug with a black-and-white striped trim, the paint and carpeting in the spare room were brighter and livelier. His room also had a computer, which sat on a desk in the corner farthest from the window. On it, he performed the freelance contract work by which he supported himself and his lifestyle, as well as ordering his food and all of his life’s other necessities, prepaying for everything, including the extra service charge to have it all delivered. Paradoxically or not, his own room was less crowded than the spare room.
He normally turned off the ceiling light before the room got dark, because of its tendency to create a reflective glare on the window, but this night he left it on. He scarcely noticed the additional light, however; he could not stop thinking about his eyes.
<><><>
At the very end of his closet, occupying the hanger nearest the wall, was a vestige of his previous life, in which he had gone outside and done numerous things that most people do every day without thinking that anything remarkable has transpired, because for them, nothing has. And while a wetsuit is not an everyday article of clothing, it hung in his closet as a symbol of the days when he had worn such things. Looking at it, he wondered for the first time in years if it still fit.
Thinking back to the last time he had worn it, a jet skiing party with Madalyn’s friends the summer after he graduated from college, he compared his physique then to his body now. Despite the lack of running space in his house, he had amassed an impressive home gym in his basement and used it regularly, and if anything was in better shape now than he had been in college.
He tried on the wetsuit, flexed and felt along his arms and legs for any signs of untoward strain on the suit’s part, and then took it off again, satisfied that there were no obstacles in this phase of his still-forming plan. Next he took it into the spare bedroom and hung it on the door. Picking up his parents’ old mirror, he held it up to the suit. Although somewhat wider than he was at its middle, it would work suitably as a chest-piece. He set it in the hall, so it would not become lost in the jumble of the other mirrors, and looked for a back-piece, finding an ideal candidate underneath the dresser. As he pulled it out, he could see that it was larger than his chest mirror, though not too large for his purposes.
A set of eight strip mirrors he had once received as a present–originally, they were a joint gift to him and Madalyn–proved to be of adequate sizes to cover his arms. They had been manufactured for decorative purposes, and so were not all the same dimensions: half were longer and narrower, perfect for his forearms, while the rest were shorter and slightly rounded, and so would work well on his biceps. He found a similar but larger set to use for his legs. He would wear gloves on his hands.
Next he considered the problem of how to affix the mirrors to the wetsuit. Although the method was not terribly complex–he would use a combination of rubber cement and hanging wire threaded through the skin of the suit, making himself into a kind of human wall–the logistics of how to get himself into the suit with the mirrors attached to it was considerably more difficult. He was going to leave his joints unmirrored in order to maximize his flexibility, but the prospect of putting on a fully-mirrored suit without breaking some of the mirrors, to say nothing of the difficulty of hoisting up so much extra weight on his body at once, forced him to think of a compromise solution. He decided to attach, glue, or otherwise jerry-rig the mirrors on the back of the suit first, while he was not wearing it–because it would be impossible for him to do those with the suit on–and then once those were in place and he was wearing it, to put together the front half of the suit.
With those details taken care off, he turned his attention to his face. Of course he would have to cover it as well, but the question of how to do so was more difficult to answer than his body had been. He had more than enough mirrors of the right sizes and shapes but no obvious way to affix them in place. The wetsuit had a hood that extended around the back of his head and completely covered his hair, but it left his face completely exposed. Because the idea of putting rubber cement all over his face–and possibility sticking hanging wire in his nose–stuck him as patently foolish, he decided to put a ski mask on over the hood and attach the mirrors to it.
He put the mask on and marked the places where the mirrors for his ears, mouth, nose, and eyes should go, took off the mask, and began working. Although his other orifices did not present him with any unforeseen difficulties, when he came to the eyes he realized he had overlooked something. It was so obvious that he laughed when the problem finally occurred to him. With a pair of mirrors over his eyes, he would not be able to see, thus turning the already difficult proposition of moving around in the suit into a seeming impossibility.
While he was trying to think of a solution to this predicament, his mind wandered to the police shows he often watched on television. The interrogation rooms in the various police stations scattered across the televised landscape invariably had an attached observation room, where the other detectives and officers could watch the interrogation unseen behind a one-way mirror. He turned on his computer and searched for one-way mirrors. After skipping past a number of sites offering to sell him a one-way mirror and to install it in his house or place of business, he found a site that explained the physical principle upon which one-way mirrors operated. When a mirror is placed between two rooms, and the light in one of the rooms is significantly brighter than the other, the mirror will be reflective in the bright room, while at the same time allowing anyone in the dark room to see through it. With this principle in mind, it seemed reasonable that the same phenomenon could be recreated with a pair of mirrored glasses, so long as the space between the lenses and eyes was kept dark.
He took the attachment tube off his vacuum cleaner and compared the size of its circumference to the size of the cosmetic compact mirrors. Though too small to fit in the final opening of the tube, the mirrors could fit snugly in the slightly-wider ribs of the tube. He popped the mirrors out of their housing, cut a section of the tube, and placed a mirror in it to make sure that his eyeball measurement was accurate. It fit even better than he had imagined. After securing the mirror in the tube with several dabs of rubber cement, he cut the other side of the tube until it left the mirror the correct distance from his eyes. All that he had to do now was to mold the end of the tube to the curve of his eye sockets.
Once he had finished modifying both lengths of tube, he held them up to his eyes. The effect was similar to looking through a tinted window, or to looking in on a brightly-lit room at night. He cut a piece of the tube in half for a bridge over the nose, and then glued an elastic strap to either side of his invention. The strap was uncomfortably tight around his head, but it held the makeshift glasses to his face and did not allow any extraneous light to reach his eyes.
He laid out the mirrors for the front of the suit on his bed before putting on the half-completed suit. The weight of the mirrors on his back and legs was heavier than he had anticipated, but it was tolerable, especially when he considered the benefits of the suit. He attached the mirrors to the front side of his legs first, then his arms, and finally his chest. Next he put on the ski mask, and finally, the glasses.
For the first time in years, he wanted to see what he looked like. But he no longer had the flexibility necessary to pick up a mirror from the floor, which was where he kept all of his largest mirrors, so he had to settle for the short rectangular one leaning against the wall. Fluffy bears and blue balloons decorated its border. It was one of the last things Madalyn had bought for them, and it was not large enough for him to see his whole self in it all at once, so he first angled it toward his legs and then, in turn, his arms, back, and chest. He saved his face for last.
When he finally picked up the mirror and held it in front of his face, he was greeted with an effect different from when he looked at the rest of his body. When he saw the reflections of his legs and arms, the light bounced from his suit to the mirror and back again at angles that led it off the surface of the mirror. When he looked at his face, however, the angle was such that it reflected him infinitely, in ever smaller iterations, so that he appeared to be shrinking and multiplying even as he stood there. Where his eyes should have been, there was only a bounding spot of brightness as the light of the room attempted to penetrate the reflective surfaces. Trying to follow it made him dizzy.
Walking was not as difficult as he had anticipated. The weight of the mirrors was not as much of an impediment as he thought it would be, although their distribution on the suit–and therefore his body–made him top-heavy, to the extent that he had to stop after each step and reestablish his balance. Fortunately, the front door of his house was not far from the bedroom.
After he opened and closed the door, an operation that required more movements than he had ever before realized, he lumbered down to the sidewalk, wondering what he should do next. He could not go far; walking in the suit was difficult and tiring, and hotter than he had expected. Not having been outside for several years, he had forgotten how warm and humid unconditioned air could be, and wearing what was essentially a black spandex weight suit accentuated the difficulties posed by a summer afternoon.
A woman jogged past him. His glasses severely limited his peripheral vision, so he did not notice her until she was directly in front of him. She was wearing blue athletic shorts and a white tank top, her arms were slender and tanned, and her legs, for as far down as he could see, were toned and muscular. She was wearing sunglasses, but she took them off when she stopped to stare at him. Her hands rested on her hips, one of them holding her sunglasses, and she twisted back and forth slowly, as if admiring the various viewing angles offered by the man in the mirror suit. She reminded him of Madalyn.
The woman put her sunglasses back on and turned to go, but before she had taken a full stride, she looked back at him and waved. He returned it as well as he could, but the suit’s limited range of motion and its weight made it a slow and unnatural-looking wave, something like an astronaut or a deep-sea diver. She smiled. He thought she was trying to meet his gaze, but her sunglasses stopped him from seeing her eyes. It was an unforeseen moment of equality.
Several minutes later, a young boy came up to him, followed a second later by his mother. The boy touched the mirrors on his legs, pressing on them as if trying to set free the image he saw there. The boy was scared when he looked up and saw his reflection in the suit’s eyes.
"What’s wrong with that man, Mom?" he asked. "I don’t think he has any eyes. Can he see anything?"
The mother, an overweight woman who thought he was a statue, said, "There isn’t a person in there. It’s just someone’s idea of a joke. But I don’t think it’s funny. Come on, let’s go home."
"But Mom, it moved! I saw it."
"No, you just thought you did," she insisted, keeping her back to the mirror suit. "You saw everything else moving when you looked at it, and that made it look like it was moving. Mirrors play all kinds of tricks."
She took the boy’s hand in hers and led him away. He tried to twist around for another look, but she would not let him.
After waiting for a moment, he turned and walked toward the center of town; it was the same direction the mother and son had gone, but he was not following them. He waited for the signal to change at the only stoplight in town and crossed the road, stopping in front of the ice cream parlor. There was a bench on the sidewalk. He would have sat in it if he did not have the mirror suit on.
The girl behind the counter looked bored. She cleaned an ice cream scoop in the sink built into the wall, dried it, and surveyed the parlor. Only two other people were inside, and neither of them were interested in ice cream anymore.
One of them was an older man. He had white hair and a white beard, both of which were the same, almost nonexistent length. Sometimes it looked as though he did not have hair at all, and that it was only a trick of the light that made it appear to be there. His hands resembled the roots of a very pale tree. His face was weathered and had a chiseled appearance, but its character changed completely when he smiled. He could lose decades of toil simply by twitching a few muscles in his face.
Sitting across the table from him was the reason he smiled. She was a strange mixture, with a face that looked young and entirely too small for the maturing body to which it was connected. She had slipped off her sandals and was tapping the man’s legs with her feet–small, stub-toed things that were strikingly out of proportion with her hands. She was the sort of girl who looked awkward in every kind of situation. But none of her ungainliness mattered when she smiled and met the eyes of the man sitting across from her.
<><><>
He took off the chest-piece and all of the mirrors on his arms and legs as soon as he was home. Now flexible enough to bend over without falling down, he turned over all the mirrors in the room, leaning some at angles against the walls, leaving others face-up where they were on the floor, hanging some on the walls and even on the ceiling, and resting the largest mirror he had against the side of the never-used crib. He balanced the next-largest mirror on top of the dresser. He took off the ski mask, laid it on the dresser, and looked into the mirror.
The bounding, reflection-multiplying effect was happening again, but he made himself concentrate on the largest reflection; it was the clearest and the one closest to his real face.
A shaft of sunlight streamed through the window and caught one of the mirrors lying against the wall. It rebounded unpredictably but with inexorable brilliance, intensifying on its instantaneous course through the room. It would only stop when it hit him.
He could see himself going blind.
The hall mirror lay on the floor of the spare bedroom, which had never been used, for several months, reflecting only the floor on which it sat. All of the other mirrors in the house–long, narrow ones the approximate shape of floorboards; smaller, roundish ones; rectangular ones small enough to hold in his hand–also eventually came to rest in the spare room. The only reason some of them survived in the other rooms of the house longer than others was that they were in corners or at angles where he rarely noticed them.
He found the final two loose mirrors in the house in the far corner of the attic, behind a stack of comic books he had forgot he possessed. The mirrors were set in the top half of a woman’s cosmetic compact that had belonged to his former girlfriend Madalyn. He caught a glimpse of his eyes in the small spherical reflectors. They blinked back at him and stared for a second before he averted his gaze, trying to preoccupy it with the adventures of superheroes whose powers no longer intrigued him. It was the first time he had seen any part of his face in years. He still touched it occasionally, running his fingers over the curve of his lips, along the stony bridge of his nose, through the bristly forest of his brows, but that offered only a secondhand reconstruction. Even if he managed to keep in mind all the various features of his face, their placement and proportion was entirely up to his imagination. In effect, he could draw his imagined face according to whatever theme he wished to follow. He variously saw himself as beautiful, an ogre, an innocent child, a self-conscious adolescent.
But he could not manipulate or negotiate with the blank stare of the mirrors. His eyes were simply there, uncomfortably fixed points reminding him with indifferent finality who he was and what he looked like. He turned over the compact with the edge of a comic book and approached them cautiously, like a primitive confronting the magic of an elevator or a gun. Once he was satisfied that it would not spontaneously flip over, he picked it up and brought it to the spare bedroom. He laid the compact on top of the dresser that had never been used, leaving it to rest beside the other smaller mirrors he had collected. They were carefully arranged, the larger mirrors on the left giving way to steadily smaller ones as they neared the bedroom window, all of them with their reflective face turned down. There was an ever-narrowing path between the mirrors on the floor from the dresser to the door.
The furnishings of his own bedroom, the one in which he slept and lived most of his life, were only slightly more elaborate than those of the spare room. The same ceiling fan hung in both rooms, and while his room featured a dull tan rug with a black-and-white striped trim, the paint and carpeting in the spare room were brighter and livelier. His room also had a computer, which sat on a desk in the corner farthest from the window. On it, he performed the freelance contract work by which he supported himself and his lifestyle, as well as ordering his food and all of his life’s other necessities, prepaying for everything, including the extra service charge to have it all delivered. Paradoxically or not, his own room was less crowded than the spare room.
He normally turned off the ceiling light before the room got dark, because of its tendency to create a reflective glare on the window, but this night he left it on. He scarcely noticed the additional light, however; he could not stop thinking about his eyes.
<><><>
At the very end of his closet, occupying the hanger nearest the wall, was a vestige of his previous life, in which he had gone outside and done numerous things that most people do every day without thinking that anything remarkable has transpired, because for them, nothing has. And while a wetsuit is not an everyday article of clothing, it hung in his closet as a symbol of the days when he had worn such things. Looking at it, he wondered for the first time in years if it still fit.
Thinking back to the last time he had worn it, a jet skiing party with Madalyn’s friends the summer after he graduated from college, he compared his physique then to his body now. Despite the lack of running space in his house, he had amassed an impressive home gym in his basement and used it regularly, and if anything was in better shape now than he had been in college.
He tried on the wetsuit, flexed and felt along his arms and legs for any signs of untoward strain on the suit’s part, and then took it off again, satisfied that there were no obstacles in this phase of his still-forming plan. Next he took it into the spare bedroom and hung it on the door. Picking up his parents’ old mirror, he held it up to the suit. Although somewhat wider than he was at its middle, it would work suitably as a chest-piece. He set it in the hall, so it would not become lost in the jumble of the other mirrors, and looked for a back-piece, finding an ideal candidate underneath the dresser. As he pulled it out, he could see that it was larger than his chest mirror, though not too large for his purposes.
A set of eight strip mirrors he had once received as a present–originally, they were a joint gift to him and Madalyn–proved to be of adequate sizes to cover his arms. They had been manufactured for decorative purposes, and so were not all the same dimensions: half were longer and narrower, perfect for his forearms, while the rest were shorter and slightly rounded, and so would work well on his biceps. He found a similar but larger set to use for his legs. He would wear gloves on his hands.
Next he considered the problem of how to affix the mirrors to the wetsuit. Although the method was not terribly complex–he would use a combination of rubber cement and hanging wire threaded through the skin of the suit, making himself into a kind of human wall–the logistics of how to get himself into the suit with the mirrors attached to it was considerably more difficult. He was going to leave his joints unmirrored in order to maximize his flexibility, but the prospect of putting on a fully-mirrored suit without breaking some of the mirrors, to say nothing of the difficulty of hoisting up so much extra weight on his body at once, forced him to think of a compromise solution. He decided to attach, glue, or otherwise jerry-rig the mirrors on the back of the suit first, while he was not wearing it–because it would be impossible for him to do those with the suit on–and then once those were in place and he was wearing it, to put together the front half of the suit.
With those details taken care off, he turned his attention to his face. Of course he would have to cover it as well, but the question of how to do so was more difficult to answer than his body had been. He had more than enough mirrors of the right sizes and shapes but no obvious way to affix them in place. The wetsuit had a hood that extended around the back of his head and completely covered his hair, but it left his face completely exposed. Because the idea of putting rubber cement all over his face–and possibility sticking hanging wire in his nose–stuck him as patently foolish, he decided to put a ski mask on over the hood and attach the mirrors to it.
He put the mask on and marked the places where the mirrors for his ears, mouth, nose, and eyes should go, took off the mask, and began working. Although his other orifices did not present him with any unforeseen difficulties, when he came to the eyes he realized he had overlooked something. It was so obvious that he laughed when the problem finally occurred to him. With a pair of mirrors over his eyes, he would not be able to see, thus turning the already difficult proposition of moving around in the suit into a seeming impossibility.
While he was trying to think of a solution to this predicament, his mind wandered to the police shows he often watched on television. The interrogation rooms in the various police stations scattered across the televised landscape invariably had an attached observation room, where the other detectives and officers could watch the interrogation unseen behind a one-way mirror. He turned on his computer and searched for one-way mirrors. After skipping past a number of sites offering to sell him a one-way mirror and to install it in his house or place of business, he found a site that explained the physical principle upon which one-way mirrors operated. When a mirror is placed between two rooms, and the light in one of the rooms is significantly brighter than the other, the mirror will be reflective in the bright room, while at the same time allowing anyone in the dark room to see through it. With this principle in mind, it seemed reasonable that the same phenomenon could be recreated with a pair of mirrored glasses, so long as the space between the lenses and eyes was kept dark.
He took the attachment tube off his vacuum cleaner and compared the size of its circumference to the size of the cosmetic compact mirrors. Though too small to fit in the final opening of the tube, the mirrors could fit snugly in the slightly-wider ribs of the tube. He popped the mirrors out of their housing, cut a section of the tube, and placed a mirror in it to make sure that his eyeball measurement was accurate. It fit even better than he had imagined. After securing the mirror in the tube with several dabs of rubber cement, he cut the other side of the tube until it left the mirror the correct distance from his eyes. All that he had to do now was to mold the end of the tube to the curve of his eye sockets.
Once he had finished modifying both lengths of tube, he held them up to his eyes. The effect was similar to looking through a tinted window, or to looking in on a brightly-lit room at night. He cut a piece of the tube in half for a bridge over the nose, and then glued an elastic strap to either side of his invention. The strap was uncomfortably tight around his head, but it held the makeshift glasses to his face and did not allow any extraneous light to reach his eyes.
He laid out the mirrors for the front of the suit on his bed before putting on the half-completed suit. The weight of the mirrors on his back and legs was heavier than he had anticipated, but it was tolerable, especially when he considered the benefits of the suit. He attached the mirrors to the front side of his legs first, then his arms, and finally his chest. Next he put on the ski mask, and finally, the glasses.
For the first time in years, he wanted to see what he looked like. But he no longer had the flexibility necessary to pick up a mirror from the floor, which was where he kept all of his largest mirrors, so he had to settle for the short rectangular one leaning against the wall. Fluffy bears and blue balloons decorated its border. It was one of the last things Madalyn had bought for them, and it was not large enough for him to see his whole self in it all at once, so he first angled it toward his legs and then, in turn, his arms, back, and chest. He saved his face for last.
When he finally picked up the mirror and held it in front of his face, he was greeted with an effect different from when he looked at the rest of his body. When he saw the reflections of his legs and arms, the light bounced from his suit to the mirror and back again at angles that led it off the surface of the mirror. When he looked at his face, however, the angle was such that it reflected him infinitely, in ever smaller iterations, so that he appeared to be shrinking and multiplying even as he stood there. Where his eyes should have been, there was only a bounding spot of brightness as the light of the room attempted to penetrate the reflective surfaces. Trying to follow it made him dizzy.
Walking was not as difficult as he had anticipated. The weight of the mirrors was not as much of an impediment as he thought it would be, although their distribution on the suit–and therefore his body–made him top-heavy, to the extent that he had to stop after each step and reestablish his balance. Fortunately, the front door of his house was not far from the bedroom.
After he opened and closed the door, an operation that required more movements than he had ever before realized, he lumbered down to the sidewalk, wondering what he should do next. He could not go far; walking in the suit was difficult and tiring, and hotter than he had expected. Not having been outside for several years, he had forgotten how warm and humid unconditioned air could be, and wearing what was essentially a black spandex weight suit accentuated the difficulties posed by a summer afternoon.
A woman jogged past him. His glasses severely limited his peripheral vision, so he did not notice her until she was directly in front of him. She was wearing blue athletic shorts and a white tank top, her arms were slender and tanned, and her legs, for as far down as he could see, were toned and muscular. She was wearing sunglasses, but she took them off when she stopped to stare at him. Her hands rested on her hips, one of them holding her sunglasses, and she twisted back and forth slowly, as if admiring the various viewing angles offered by the man in the mirror suit. She reminded him of Madalyn.
The woman put her sunglasses back on and turned to go, but before she had taken a full stride, she looked back at him and waved. He returned it as well as he could, but the suit’s limited range of motion and its weight made it a slow and unnatural-looking wave, something like an astronaut or a deep-sea diver. She smiled. He thought she was trying to meet his gaze, but her sunglasses stopped him from seeing her eyes. It was an unforeseen moment of equality.
Several minutes later, a young boy came up to him, followed a second later by his mother. The boy touched the mirrors on his legs, pressing on them as if trying to set free the image he saw there. The boy was scared when he looked up and saw his reflection in the suit’s eyes.
"What’s wrong with that man, Mom?" he asked. "I don’t think he has any eyes. Can he see anything?"
The mother, an overweight woman who thought he was a statue, said, "There isn’t a person in there. It’s just someone’s idea of a joke. But I don’t think it’s funny. Come on, let’s go home."
"But Mom, it moved! I saw it."
"No, you just thought you did," she insisted, keeping her back to the mirror suit. "You saw everything else moving when you looked at it, and that made it look like it was moving. Mirrors play all kinds of tricks."
She took the boy’s hand in hers and led him away. He tried to twist around for another look, but she would not let him.
After waiting for a moment, he turned and walked toward the center of town; it was the same direction the mother and son had gone, but he was not following them. He waited for the signal to change at the only stoplight in town and crossed the road, stopping in front of the ice cream parlor. There was a bench on the sidewalk. He would have sat in it if he did not have the mirror suit on.
The girl behind the counter looked bored. She cleaned an ice cream scoop in the sink built into the wall, dried it, and surveyed the parlor. Only two other people were inside, and neither of them were interested in ice cream anymore.
One of them was an older man. He had white hair and a white beard, both of which were the same, almost nonexistent length. Sometimes it looked as though he did not have hair at all, and that it was only a trick of the light that made it appear to be there. His hands resembled the roots of a very pale tree. His face was weathered and had a chiseled appearance, but its character changed completely when he smiled. He could lose decades of toil simply by twitching a few muscles in his face.
Sitting across the table from him was the reason he smiled. She was a strange mixture, with a face that looked young and entirely too small for the maturing body to which it was connected. She had slipped off her sandals and was tapping the man’s legs with her feet–small, stub-toed things that were strikingly out of proportion with her hands. She was the sort of girl who looked awkward in every kind of situation. But none of her ungainliness mattered when she smiled and met the eyes of the man sitting across from her.
<><><>
He took off the chest-piece and all of the mirrors on his arms and legs as soon as he was home. Now flexible enough to bend over without falling down, he turned over all the mirrors in the room, leaning some at angles against the walls, leaving others face-up where they were on the floor, hanging some on the walls and even on the ceiling, and resting the largest mirror he had against the side of the never-used crib. He balanced the next-largest mirror on top of the dresser. He took off the ski mask, laid it on the dresser, and looked into the mirror.
The bounding, reflection-multiplying effect was happening again, but he made himself concentrate on the largest reflection; it was the clearest and the one closest to his real face.
A shaft of sunlight streamed through the window and caught one of the mirrors lying against the wall. It rebounded unpredictably but with inexorable brilliance, intensifying on its instantaneous course through the room. It would only stop when it hit him.
He could see himself going blind.
Friday, May 11, 2007
Praying to the Machine
Thomas had not slept in the same bed as his wife for over a year. It was all the machine’s fault, really. He still loved her, though obviously not quite as much as he loved life itself. He had cried for a long time when he first thought of it that way.
Everyone had thought the machine would be a revolutionary comfort. The exact place and manner of your death, though not the time, all available on a convenient printout sheet. They had tested it for years with the elderly and the mentally ill before they made their announcement. They had to be sure their science was more than a pileup of coincidences.
They tested it on two different groups. One group was told about the machine and its prediction for their deaths. The other group was observed in secret. They did not even know the machine existed. The preponderance of suicides in the first group, they adamantly maintained, was merely a product of statistical variance. There was no known case in which the machine had been wrong.
In many ways, the machine was a blessing. Men can be very courageous when they know they are going to survive. Numerous people celebrated what they called their newfound freedom or lease on life (only some of them sarcastically) by performing outlandish stunts. The phrase "death-defying" quickly became a joke for those who had submitted themselves to the machine’s test.
But not everyone wanted to know, of course. Some people actually wanted to be surprised by death. They thought that not knowing made life more exciting. They said it gave them freedom.
Before he underwent the machine’s test, Thomas had never understood what they meant. He had not believed that ignorance and freedom could be connected. But now that he knew he would die in his sleep, from a brain hemorrhage, with his wife lying beside him, wishing he did not know or that he could somehow forget was all he thought about. He would have prayed if he believed the machine could hear him.
He still spent time with his wife in their room, but whenever he yawned or felt himself getting tired, he took his leave of her and went to the guest room to sleep. They both cried every time he left. She wished he could stay with her to comfort her, to kiss her, to wrap his arms around her, but she could never ask him to stay. She loved him too much to ask him to give up his life for a night with her. She did not pray, either.
He held the beam in his hand and looked at himself in the mirror, wondering what he would look like once he was done. He had tried everything else. This was the only way he could see to be happy again; he needed to forget about the machine. All he really wanted was to lie next to her again, to feel her sleeping breaths on his face.
A red pain clouded his vision the first time he hit himself with the beam. He was bleeding from his ear already, but he had to do it again. He needed to be sure. He raised the beam again, in his stronger left hand this time, and brought it down with all the speed and violence he could summon.
Thomas stumbled out of the guest room, not remembering why he had been in there. All he knew now was that he should be sleeping with his wife. He loved her so much. All the blood was concerning him, too, but he thought she would be able to help him. He had to get to her.
He opened the door slowly and quietly, not because he did not want to wake her but because he simply did not have any more strength than that left. He could barely see her through the curtains of red and white that were flooding his eyes, but he knew she was beautiful. She was lying on her back, her hands resting on her stomach. They rose and fell with her deep, regular breathing. He wanted to call out to her but could not remember how to speak.
She awakened when he fell, the full force of his unconscious body almost throwing her off the bed. There was blood everywhere. It had trailed him to the bed and was now soaking through the sheets and dripping on the floor. The machine had not said anything about blood, or about love. It could not understand them. All it knew was death.
Everyone had thought the machine would be a revolutionary comfort. The exact place and manner of your death, though not the time, all available on a convenient printout sheet. They had tested it for years with the elderly and the mentally ill before they made their announcement. They had to be sure their science was more than a pileup of coincidences.
They tested it on two different groups. One group was told about the machine and its prediction for their deaths. The other group was observed in secret. They did not even know the machine existed. The preponderance of suicides in the first group, they adamantly maintained, was merely a product of statistical variance. There was no known case in which the machine had been wrong.
In many ways, the machine was a blessing. Men can be very courageous when they know they are going to survive. Numerous people celebrated what they called their newfound freedom or lease on life (only some of them sarcastically) by performing outlandish stunts. The phrase "death-defying" quickly became a joke for those who had submitted themselves to the machine’s test.
But not everyone wanted to know, of course. Some people actually wanted to be surprised by death. They thought that not knowing made life more exciting. They said it gave them freedom.
Before he underwent the machine’s test, Thomas had never understood what they meant. He had not believed that ignorance and freedom could be connected. But now that he knew he would die in his sleep, from a brain hemorrhage, with his wife lying beside him, wishing he did not know or that he could somehow forget was all he thought about. He would have prayed if he believed the machine could hear him.
He still spent time with his wife in their room, but whenever he yawned or felt himself getting tired, he took his leave of her and went to the guest room to sleep. They both cried every time he left. She wished he could stay with her to comfort her, to kiss her, to wrap his arms around her, but she could never ask him to stay. She loved him too much to ask him to give up his life for a night with her. She did not pray, either.
He held the beam in his hand and looked at himself in the mirror, wondering what he would look like once he was done. He had tried everything else. This was the only way he could see to be happy again; he needed to forget about the machine. All he really wanted was to lie next to her again, to feel her sleeping breaths on his face.
A red pain clouded his vision the first time he hit himself with the beam. He was bleeding from his ear already, but he had to do it again. He needed to be sure. He raised the beam again, in his stronger left hand this time, and brought it down with all the speed and violence he could summon.
Thomas stumbled out of the guest room, not remembering why he had been in there. All he knew now was that he should be sleeping with his wife. He loved her so much. All the blood was concerning him, too, but he thought she would be able to help him. He had to get to her.
He opened the door slowly and quietly, not because he did not want to wake her but because he simply did not have any more strength than that left. He could barely see her through the curtains of red and white that were flooding his eyes, but he knew she was beautiful. She was lying on her back, her hands resting on her stomach. They rose and fell with her deep, regular breathing. He wanted to call out to her but could not remember how to speak.
She awakened when he fell, the full force of his unconscious body almost throwing her off the bed. There was blood everywhere. It had trailed him to the bed and was now soaking through the sheets and dripping on the floor. The machine had not said anything about blood, or about love. It could not understand them. All it knew was death.
Tuesday, May 8, 2007
Dwight Manning (excerpt)
These are the first couple of scenes from a novel I hope to be writing over the next few months/year/however long it takes me. My inspiration, if you want to call it that, was something like "High Fidelity" (by Nick Hornby, also a John Cusack movie) set in a video store.
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Dwight Manning’s date snorted into her drink. The resulting spray flew out of her glass and landed primarily on her face, though some of it reached the back of her chair. She looked at her napkin, then at Dwight, and then cleared her throat. After another moment of silence, she said, "My face is wet."
"I know it is, Gina," Dwight replied. "Why don’t you dry it off?" Normally, Dwight would not have suggested this course of action, reasoning that his date would feel her intelligence was being insulted by such an obvious solution, but he did not hesitate to suggest it to Gina.
She sighed loudly as she dabbed at her face, being careful not to smudge her makeup.
"What was that about?" Dwight asked.
"What was what about?"
"That sigh you just made. It sounded like you were disappointed or something."
Gina put down her napkin. "Well, I guess I am. Of course you know it’s your fault."
"Why? Did I do something to you?"
"No, Dwight, you didn’t do anything to me. That’s just the point. I’m sitting here, alcohol’s dripping off my face, and you’re not doing anything about it."
"I did tell you to dry your face. Were you looking for another alternative?"
"If I have to make it obvious to you, then yes, I was. I thought you would lick it off for me. It’s your fault it’s there in the first place, remember. You made me laugh when I was getting ready to take a drink."
"You thought I would lick your face?"
"Yes. Is that really so weird?"
"But why would you even want me to do that? It wouldn’t fix anything. Your face would still be wet."
"You just don’t get it, Dwight." Having apparently decided their conversation was over, Gina focused her attention on her salad. She was almost finished with it, while Dwight, who had ordered a steak, had only received his meal a moment ago. When it had arrived, he had said to her, "They must’ve had to kill the cow out back." This was the comment that had precipitated Gina’s snorting into her drink.
"I’m done eating," she said. "Can we go now?"
"But I just started eating."
"So if you’re eating, then what am I going to do?"
"You could order another drink, use the restroom, or even stare longingly at me as I eat my food. There’s really quite an extensive array of options open to you."
"Okay. I’ll go get another drink. I think I’ll get a tequila this time."
Dwight watched as his date got up and walked to the bar, leaving him alone with his steak. At least it was quiet for once, and his steak really was quite good, tender and juicy on the inside, charred slightly around the edges, and nowhere tough or dry. "I might have to come here again," he said. "They had this seafood basket thing that looked good too. I almost went with that tonight, but I’ve always been a steak man at heart."
During the pause in which, under better circumstances, his date would have responded to him and kept the conversation going, Dwight turned around to look for Gina. She was at the bar, standing behind a man whose face Dwight could not could see. Her elbow was resting on his shoulder and her other hand had just reached under the back of the man’s shirt. Dwight returned to his steak.
While Dwight was engrossed in contemplating the rationale that had led to the assortment of knickknacks and memorabilia being placed on the wall above their table, Gina returned and slapped him on the shoulder.
"Hey, I think I might’ve hit it off with this guy over at the bar. But I’m not sure if he’s gonna make a move yet, so could you stay around for a few minutes longer? I might still need a ride with you. You still have to pay and everything, right? I’ll just give you a sign if it’s okay for you to go."
"What the hell are you talking about?"
"What do you mean? It wasn’t that hard to understand, was it?"
"You’re on a date with me, Gina. Not the guy you just met over at the bar."
"Well, I guess the way I’d look at it, I’d say I was on a date with you. And let’s face it, we both know we weren’t going anywhere. So I moved on. No hard feelings, right? Anyway, Buck–I think that’s his name–is looking kind of restless, so I think I’d better get back over to him."
"Wait a minute. Does he know I’m over here? Is he watching us right now?"
Gina turned around and waved at Buck. "Looks like he is. But don’t worry. I told him you’re my gay brother. He knows there’s nothing dangerous going on over here."
"You told him I’m gay? Why did you do that? And what’s wrong with you, really?"
"Relax. I told him you’re gay so he wouldn’t get any ideas about, you know, us. It’s nothing against you personally. I know you’re probably not really gay."
"But wouldn’t it have been enough to just tell him I’m your brother?"
"Now that you mention it, yeah, it probably would have. But I didn’t think of that when I was talking to him. If you have to know, I think I get kind of ditzy when I’m talking to a guy I like."
"That’s not the only time," Dwight replied. The date had progressed to the phase where he tried to wring out of it whatever semblance of pleasure he could find. That phase rarely lasted long, but Gina was proving to be an exceptional date.
"So you’ll wait for me, then?" she asked.
"I’m going to finish my steak, because I like steak and this one is tasty. If you’re still here when I’m done, we’ll see. But I’m not making any promises."
"I think that woman at the bar–the old one who’s kind of ugly, don’t you think she is? Anyway, I think she’s been eyeing Buck too, not that I blame her, of course. I mean, look at him, who could? I know I’m prettier than her, but she just unbuttoned another button on her blouse. I guess I’ll have to remind him I’m still here."
"Look, Gina, are you really sure you want a guy like that? I mean, one who’s distracted that easily might not–"
She had not heard any of his advice, he was certain. She was already back talking to Buck, one of her legs resting in his lap. She whispered something in his ear, which caused him to lean back and shake his head in disbelief. Gina took a step back and lifted up her shirt to show Buck the "crazy tattoo" she had on her stomach. She had been starting to tell Dwight about it when her salad had arrived.
Gina had not finished her bottle of beer. It was sitting across the table from Dwight, still half full. That he could recall, she had not snorted into or otherwise defiled it. The only physical evidence it had even belonged to her was the smudge of lipstick on the neck of the bottle, imprinted there when had proved to him that she could open a bottle using only her mouth. That had surprised him at the time. It was a good beer, too, imported from some place neither of them had been able to pronounce. He grabbed it and took a drink.
"I’m having sex with this man tonight!"
Unlike everyone else in the restaurant, Dwight did not look to see who had made her night’s plans a matter of public record. He finished the beer and got up, leaving his steak half eaten. He did not want to be there if Gina tried to give him another sign.
"Come on, it wasn’t the worst date you’ve ever had. You just need some time to cool off. In the morning it’ll all be funny."
"I haven’t told you everything," Dwight said. He waited to let the implications of this sink in before he continued. "Right after her second margarita, she went to the bathroom and threw up."
"Did you go in with her?" asked Roger, Dwight’s roommate.
"No. Of course not."
"Then how do you know she did?"
"Because she told me that was what she was going to do right before she got up. And when she came back, she proceeded to start telling me all about it. Fortunately a waiter walked by just then, and I bought her a beer just to shut her up."
"Okay, so it was bad. But it couldn’t be as bad as Kali."
"That wasn’t her real name. I told you that."
"And just how is that a good thing, Dwight? What’s creepier, a girl who gets stuck with a crazy name because of her parents, or one who just goes out and decides it would be cool to be named after the Hindu death goddess?"
"At least she said she liked me."
"Do I need to remind you about the park, Dwight? Remember that? You’re the one who ran all the way back here."
"I thought it was just a name. I didn’t think it was a serious thing for her. I’m pretty sure it wasn’t, actually."
"Okay, maybe I’ll give you that. But still...has Taku heard this story yet? I think he needs to. Taku, could you come in here for a minute?"
An exchange student from Japan who had decided to stay on in the States for college, Taku had learned English by watching the movies he rented from Dwight and Roger’s video store. He spent so much time in the store, and he always gave spot-on suggestions to anyone who asked him, that they had eventually given him a job there. Part of his pay went toward the room he rented in their apartment; the rest they gave to him in cash.
"Have you heard about Dwight’s date with Kali?"
"No. Was that the one tonight?"
"No, Kali came a while back, but she’s a classic. You see, all night Kali kept saying how much she liked the park, but Dwight, being the gentleman that he is, kept telling her it was too cold and dark to go to the park, that they should just get a drink somewhere. Well, eventually Diwght gave in, and they went to the park. I think Dwight needs to tell you about the next part. Come on, Dwight, tell our business associate what happened next."
"I thought we were going to sit on a bench and talk or something, but she didn’t want to do that. Instead, she took me all the way to the back of the park, right up against the forest. I’d been hearing thunder coming for a few minutes, so I told her we should probably get back to my car before the rain started. But she said the rain was why they’d come out here, and that she’d caused it."
"This woman, she could make rain?" Taku asked.
"Really not an important detail, Taku," Roger answered. "Just keep listening. The best part’s coming up."
"Well, we just stood there waiting for the rain to start, and then after another five minutes it did. It was really a pretty strong storm, and when the rain started hitting us, she took off her clothes and started dancing in the rain."
"Like Ricky Martin’s song?" Taku asked.
"Yes, Taku. Exactly like the Ricky Martin song," Roger told him. "That’s definitely going in the next time I tell the story. So there’s Dwight watching this naked chick dancing around right in front of him. Now if you have been there, Taku, what would you have done?"
"Was she good looking chick?"
"Yes, Taku. She was beautiful."
"I would have danced with her."
"Exactly! That’s what any normal guy would have done. But not our Dwight. No, as soon as he sees that, he turns around and bolts straight for his car."
"The rain was cold," Dwight said in his own defense. "And it was those really big drops, the can that actually hurt when they hit you."
"What happened to her?" Taku asked.
"What do you mean?"
"This girl, the naked dancing one, what happened to her?"
"He doesn’t know, Taku. Dwight never saw her again. For all he knows, she caught pneumonia and died right in the park that night. Maybe a troll came and took her body away. We really don’t know."
"There aren’t any bridges in the park."
"What’s that, Dwight?"
"Trolls only live under bridges, and since there aren’t any bridges in the park, it’s just ludicrous to suggest that a troll could have been anywhere near the park that night. The closest bridge is twenty miles away."
"I am sorry, but one thing I do not understand," Taku said. "May I ask?"
"Of course, Taku. What is it?"
"My apologies, but earlier, before you called to me, I was overhearing you from my room. You said this woman was the worst date you have had. May I ask why this is?"
"Well, Dwight did spare you the details of the beginning of the date, and there’s some pretty good stuff in there, believe me, but I suppose that what really vaults it into worst date territory is how it ended. Would you like to tell him, or should I?"
"I am possibly confused, but is not naked dancing on a date a good thing?"
"Normally it is, Taku. It definitely is. But since Dwight doesn’t seem to eager to finish up the story, I’ll do it for him. When he was running away, Dwight ran right into this guy, I’m talking a Freaky Friday kind of thing–do you know the scene I’m talking about, Taku?"
"Yes, with the skinny singing girl and the woman from the Halloween. Correct?"
"That’s the one. Well, Dwight’s flat on his back, and the guy he ran into comes over and helps him up. They both ask if the other’s okay, they both say they are, and then Dwight goes to find his car. But when he gets there, he realizes he doesn’t have his keys. He knows he won’t be able to find them in the rain, so he reaches for his cell phone to call me, and guess what? That’s right, the cell phone’s gone too. So eventually he stumbles into this 24-hour gas station, borrows their phone and calls me. And that’s why it was Dwight’s worst date ever. So what if this Gina chick was rude, and snorted into her drink, and hooked up with a guy she met at the bar?"
"This woman, did you say she was a Thuggee?" Taku asked.
"No. Who are they?"
"This is quite fascinating. Last semester I studied the Thuggee. They worship Kali, the goddess. They are very rare in this country. Quite dangerous as thieves and assassins. They travel in groups, the Thuggee, and they rob people when they are not expecting. Very coordinated plans."
"Wait a minute," Roger said. "Are you saying that the whole performance in the park was a setup? That Kali’s associates, or whatever you want to call them, were waiting for him to run away so they could pick his pocket?"
"Possibly, yes. Although as you said earlier, the expected response upon seeing the dancing naked woman is to join with her. However, they likely would have alternative, maybe you would say contingency, plans. The man who ran into Dwight could have been one of those."
"Okay, Dwight. Not only did you go out with the crazy death goddess lady, but you were, the whole time, the target of an operation the complexity and timing of which makes The Sting II look like a botched job."
"Trust me, Kali looked a lot better naked than Jackie Gleason. Or even Paul Newman, for that matter."
"Not one but two mental images I never wanted to have. Thanks a lot for that, Dwight. If I can’t sleep tonight, neither will you."
"I am sorry, but in the first Sting, Paul Newman was not the patsy. That makes your comparison not entirely accurate, Dwight," Taku interjected.
"You’re missing the point, Taku. I was comparing Kali to Newman, not me to Paul. But I see how you could have been confused. I promise my allusions will be more precise in the future."
"It is not anything. I accept your apology."
"While we’re on the allusion accuracy kick, Taku, I think you meant to say, ‘It ain’t no thang.’ But don’t even bother trying to get that to sound good. Even I sound ridiculous when I try it. I think you have to be black for it to sound good."
"Jamal, who rents many horror movies from the store, he is black. Perhaps I will ask him when I see him in the store again. He would make it sound good, correct?"
"Maybe. But I don’t think it would be a great idea to try. You see, it’s one of those phrases that they’re kind of protective of. Jamal might get mad if he heard you trying to use it."
"Similar to, ‘You my nigger’?"
"Yes, Taku," Dwight answered. "Quite similar to that."
-------------
Dwight Manning’s date snorted into her drink. The resulting spray flew out of her glass and landed primarily on her face, though some of it reached the back of her chair. She looked at her napkin, then at Dwight, and then cleared her throat. After another moment of silence, she said, "My face is wet."
"I know it is, Gina," Dwight replied. "Why don’t you dry it off?" Normally, Dwight would not have suggested this course of action, reasoning that his date would feel her intelligence was being insulted by such an obvious solution, but he did not hesitate to suggest it to Gina.
She sighed loudly as she dabbed at her face, being careful not to smudge her makeup.
"What was that about?" Dwight asked.
"What was what about?"
"That sigh you just made. It sounded like you were disappointed or something."
Gina put down her napkin. "Well, I guess I am. Of course you know it’s your fault."
"Why? Did I do something to you?"
"No, Dwight, you didn’t do anything to me. That’s just the point. I’m sitting here, alcohol’s dripping off my face, and you’re not doing anything about it."
"I did tell you to dry your face. Were you looking for another alternative?"
"If I have to make it obvious to you, then yes, I was. I thought you would lick it off for me. It’s your fault it’s there in the first place, remember. You made me laugh when I was getting ready to take a drink."
"You thought I would lick your face?"
"Yes. Is that really so weird?"
"But why would you even want me to do that? It wouldn’t fix anything. Your face would still be wet."
"You just don’t get it, Dwight." Having apparently decided their conversation was over, Gina focused her attention on her salad. She was almost finished with it, while Dwight, who had ordered a steak, had only received his meal a moment ago. When it had arrived, he had said to her, "They must’ve had to kill the cow out back." This was the comment that had precipitated Gina’s snorting into her drink.
"I’m done eating," she said. "Can we go now?"
"But I just started eating."
"So if you’re eating, then what am I going to do?"
"You could order another drink, use the restroom, or even stare longingly at me as I eat my food. There’s really quite an extensive array of options open to you."
"Okay. I’ll go get another drink. I think I’ll get a tequila this time."
Dwight watched as his date got up and walked to the bar, leaving him alone with his steak. At least it was quiet for once, and his steak really was quite good, tender and juicy on the inside, charred slightly around the edges, and nowhere tough or dry. "I might have to come here again," he said. "They had this seafood basket thing that looked good too. I almost went with that tonight, but I’ve always been a steak man at heart."
During the pause in which, under better circumstances, his date would have responded to him and kept the conversation going, Dwight turned around to look for Gina. She was at the bar, standing behind a man whose face Dwight could not could see. Her elbow was resting on his shoulder and her other hand had just reached under the back of the man’s shirt. Dwight returned to his steak.
While Dwight was engrossed in contemplating the rationale that had led to the assortment of knickknacks and memorabilia being placed on the wall above their table, Gina returned and slapped him on the shoulder.
"Hey, I think I might’ve hit it off with this guy over at the bar. But I’m not sure if he’s gonna make a move yet, so could you stay around for a few minutes longer? I might still need a ride with you. You still have to pay and everything, right? I’ll just give you a sign if it’s okay for you to go."
"What the hell are you talking about?"
"What do you mean? It wasn’t that hard to understand, was it?"
"You’re on a date with me, Gina. Not the guy you just met over at the bar."
"Well, I guess the way I’d look at it, I’d say I was on a date with you. And let’s face it, we both know we weren’t going anywhere. So I moved on. No hard feelings, right? Anyway, Buck–I think that’s his name–is looking kind of restless, so I think I’d better get back over to him."
"Wait a minute. Does he know I’m over here? Is he watching us right now?"
Gina turned around and waved at Buck. "Looks like he is. But don’t worry. I told him you’re my gay brother. He knows there’s nothing dangerous going on over here."
"You told him I’m gay? Why did you do that? And what’s wrong with you, really?"
"Relax. I told him you’re gay so he wouldn’t get any ideas about, you know, us. It’s nothing against you personally. I know you’re probably not really gay."
"But wouldn’t it have been enough to just tell him I’m your brother?"
"Now that you mention it, yeah, it probably would have. But I didn’t think of that when I was talking to him. If you have to know, I think I get kind of ditzy when I’m talking to a guy I like."
"That’s not the only time," Dwight replied. The date had progressed to the phase where he tried to wring out of it whatever semblance of pleasure he could find. That phase rarely lasted long, but Gina was proving to be an exceptional date.
"So you’ll wait for me, then?" she asked.
"I’m going to finish my steak, because I like steak and this one is tasty. If you’re still here when I’m done, we’ll see. But I’m not making any promises."
"I think that woman at the bar–the old one who’s kind of ugly, don’t you think she is? Anyway, I think she’s been eyeing Buck too, not that I blame her, of course. I mean, look at him, who could? I know I’m prettier than her, but she just unbuttoned another button on her blouse. I guess I’ll have to remind him I’m still here."
"Look, Gina, are you really sure you want a guy like that? I mean, one who’s distracted that easily might not–"
She had not heard any of his advice, he was certain. She was already back talking to Buck, one of her legs resting in his lap. She whispered something in his ear, which caused him to lean back and shake his head in disbelief. Gina took a step back and lifted up her shirt to show Buck the "crazy tattoo" she had on her stomach. She had been starting to tell Dwight about it when her salad had arrived.
Gina had not finished her bottle of beer. It was sitting across the table from Dwight, still half full. That he could recall, she had not snorted into or otherwise defiled it. The only physical evidence it had even belonged to her was the smudge of lipstick on the neck of the bottle, imprinted there when had proved to him that she could open a bottle using only her mouth. That had surprised him at the time. It was a good beer, too, imported from some place neither of them had been able to pronounce. He grabbed it and took a drink.
"I’m having sex with this man tonight!"
Unlike everyone else in the restaurant, Dwight did not look to see who had made her night’s plans a matter of public record. He finished the beer and got up, leaving his steak half eaten. He did not want to be there if Gina tried to give him another sign.
"Come on, it wasn’t the worst date you’ve ever had. You just need some time to cool off. In the morning it’ll all be funny."
"I haven’t told you everything," Dwight said. He waited to let the implications of this sink in before he continued. "Right after her second margarita, she went to the bathroom and threw up."
"Did you go in with her?" asked Roger, Dwight’s roommate.
"No. Of course not."
"Then how do you know she did?"
"Because she told me that was what she was going to do right before she got up. And when she came back, she proceeded to start telling me all about it. Fortunately a waiter walked by just then, and I bought her a beer just to shut her up."
"Okay, so it was bad. But it couldn’t be as bad as Kali."
"That wasn’t her real name. I told you that."
"And just how is that a good thing, Dwight? What’s creepier, a girl who gets stuck with a crazy name because of her parents, or one who just goes out and decides it would be cool to be named after the Hindu death goddess?"
"At least she said she liked me."
"Do I need to remind you about the park, Dwight? Remember that? You’re the one who ran all the way back here."
"I thought it was just a name. I didn’t think it was a serious thing for her. I’m pretty sure it wasn’t, actually."
"Okay, maybe I’ll give you that. But still...has Taku heard this story yet? I think he needs to. Taku, could you come in here for a minute?"
An exchange student from Japan who had decided to stay on in the States for college, Taku had learned English by watching the movies he rented from Dwight and Roger’s video store. He spent so much time in the store, and he always gave spot-on suggestions to anyone who asked him, that they had eventually given him a job there. Part of his pay went toward the room he rented in their apartment; the rest they gave to him in cash.
"Have you heard about Dwight’s date with Kali?"
"No. Was that the one tonight?"
"No, Kali came a while back, but she’s a classic. You see, all night Kali kept saying how much she liked the park, but Dwight, being the gentleman that he is, kept telling her it was too cold and dark to go to the park, that they should just get a drink somewhere. Well, eventually Diwght gave in, and they went to the park. I think Dwight needs to tell you about the next part. Come on, Dwight, tell our business associate what happened next."
"I thought we were going to sit on a bench and talk or something, but she didn’t want to do that. Instead, she took me all the way to the back of the park, right up against the forest. I’d been hearing thunder coming for a few minutes, so I told her we should probably get back to my car before the rain started. But she said the rain was why they’d come out here, and that she’d caused it."
"This woman, she could make rain?" Taku asked.
"Really not an important detail, Taku," Roger answered. "Just keep listening. The best part’s coming up."
"Well, we just stood there waiting for the rain to start, and then after another five minutes it did. It was really a pretty strong storm, and when the rain started hitting us, she took off her clothes and started dancing in the rain."
"Like Ricky Martin’s song?" Taku asked.
"Yes, Taku. Exactly like the Ricky Martin song," Roger told him. "That’s definitely going in the next time I tell the story. So there’s Dwight watching this naked chick dancing around right in front of him. Now if you have been there, Taku, what would you have done?"
"Was she good looking chick?"
"Yes, Taku. She was beautiful."
"I would have danced with her."
"Exactly! That’s what any normal guy would have done. But not our Dwight. No, as soon as he sees that, he turns around and bolts straight for his car."
"The rain was cold," Dwight said in his own defense. "And it was those really big drops, the can that actually hurt when they hit you."
"What happened to her?" Taku asked.
"What do you mean?"
"This girl, the naked dancing one, what happened to her?"
"He doesn’t know, Taku. Dwight never saw her again. For all he knows, she caught pneumonia and died right in the park that night. Maybe a troll came and took her body away. We really don’t know."
"There aren’t any bridges in the park."
"What’s that, Dwight?"
"Trolls only live under bridges, and since there aren’t any bridges in the park, it’s just ludicrous to suggest that a troll could have been anywhere near the park that night. The closest bridge is twenty miles away."
"I am sorry, but one thing I do not understand," Taku said. "May I ask?"
"Of course, Taku. What is it?"
"My apologies, but earlier, before you called to me, I was overhearing you from my room. You said this woman was the worst date you have had. May I ask why this is?"
"Well, Dwight did spare you the details of the beginning of the date, and there’s some pretty good stuff in there, believe me, but I suppose that what really vaults it into worst date territory is how it ended. Would you like to tell him, or should I?"
"I am possibly confused, but is not naked dancing on a date a good thing?"
"Normally it is, Taku. It definitely is. But since Dwight doesn’t seem to eager to finish up the story, I’ll do it for him. When he was running away, Dwight ran right into this guy, I’m talking a Freaky Friday kind of thing–do you know the scene I’m talking about, Taku?"
"Yes, with the skinny singing girl and the woman from the Halloween. Correct?"
"That’s the one. Well, Dwight’s flat on his back, and the guy he ran into comes over and helps him up. They both ask if the other’s okay, they both say they are, and then Dwight goes to find his car. But when he gets there, he realizes he doesn’t have his keys. He knows he won’t be able to find them in the rain, so he reaches for his cell phone to call me, and guess what? That’s right, the cell phone’s gone too. So eventually he stumbles into this 24-hour gas station, borrows their phone and calls me. And that’s why it was Dwight’s worst date ever. So what if this Gina chick was rude, and snorted into her drink, and hooked up with a guy she met at the bar?"
"This woman, did you say she was a Thuggee?" Taku asked.
"No. Who are they?"
"This is quite fascinating. Last semester I studied the Thuggee. They worship Kali, the goddess. They are very rare in this country. Quite dangerous as thieves and assassins. They travel in groups, the Thuggee, and they rob people when they are not expecting. Very coordinated plans."
"Wait a minute," Roger said. "Are you saying that the whole performance in the park was a setup? That Kali’s associates, or whatever you want to call them, were waiting for him to run away so they could pick his pocket?"
"Possibly, yes. Although as you said earlier, the expected response upon seeing the dancing naked woman is to join with her. However, they likely would have alternative, maybe you would say contingency, plans. The man who ran into Dwight could have been one of those."
"Okay, Dwight. Not only did you go out with the crazy death goddess lady, but you were, the whole time, the target of an operation the complexity and timing of which makes The Sting II look like a botched job."
"Trust me, Kali looked a lot better naked than Jackie Gleason. Or even Paul Newman, for that matter."
"Not one but two mental images I never wanted to have. Thanks a lot for that, Dwight. If I can’t sleep tonight, neither will you."
"I am sorry, but in the first Sting, Paul Newman was not the patsy. That makes your comparison not entirely accurate, Dwight," Taku interjected.
"You’re missing the point, Taku. I was comparing Kali to Newman, not me to Paul. But I see how you could have been confused. I promise my allusions will be more precise in the future."
"It is not anything. I accept your apology."
"While we’re on the allusion accuracy kick, Taku, I think you meant to say, ‘It ain’t no thang.’ But don’t even bother trying to get that to sound good. Even I sound ridiculous when I try it. I think you have to be black for it to sound good."
"Jamal, who rents many horror movies from the store, he is black. Perhaps I will ask him when I see him in the store again. He would make it sound good, correct?"
"Maybe. But I don’t think it would be a great idea to try. You see, it’s one of those phrases that they’re kind of protective of. Jamal might get mad if he heard you trying to use it."
"Similar to, ‘You my nigger’?"
"Yes, Taku," Dwight answered. "Quite similar to that."
Sunday, April 29, 2007
Let it Shine
Would you notice a difference
if I hid my light,
removed its warmth from your skin
or stuck it in a bush,
igniting a localized conflagration--
a few moments of heat-bent, fizzling illumination?
And if I held it out,
would you come close enough
to be branded by my peculiar fantasies,
or only turn your back and look elsewhere
as the incineration creeps toward my hands?
If I extinguished it under a chalice
or whispered it out of existence,
would my outmoded technology
be missed among the encroaching fluorescence?
if I hid my light,
removed its warmth from your skin
or stuck it in a bush,
igniting a localized conflagration--
a few moments of heat-bent, fizzling illumination?
And if I held it out,
would you come close enough
to be branded by my peculiar fantasies,
or only turn your back and look elsewhere
as the incineration creeps toward my hands?
If I extinguished it under a chalice
or whispered it out of existence,
would my outmoded technology
be missed among the encroaching fluorescence?
Monday, April 23, 2007
In The Desert
I have to cry out shout
to be heard, I write words
with my prostrate body in the sand.
(The length of the letters
six feet long but not as deep.)
The ruts, every waving line of my characters,
are tripping-places where you fall
and land in the sand, and add your lines to the message,
incomplete as you hurry away embarrassed.
You could not see the whole picture and now
you’re afraid you’ve spoiled it,
that I will be angry
because you dared to step on my words,
to come too close for shouting.
And now our rivers will never meet,
yours evaporated by your speed,
mine puddling into the short end
of an exclamation point.
to be heard, I write words
with my prostrate body in the sand.
(The length of the letters
six feet long but not as deep.)
The ruts, every waving line of my characters,
are tripping-places where you fall
and land in the sand, and add your lines to the message,
incomplete as you hurry away embarrassed.
You could not see the whole picture and now
you’re afraid you’ve spoiled it,
that I will be angry
because you dared to step on my words,
to come too close for shouting.
And now our rivers will never meet,
yours evaporated by your speed,
mine puddling into the short end
of an exclamation point.
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